A disfigured violinist mistakes a token of appreciation for a love bouquet. When he realizes his mistake, he loses his mind.

For Luke and Wes, life presented limitless possibilities... but sometimes it's already too late.

Embark on a journey with Banneker, a down on his luck Oakland native whose luck seems to be getting worse. Banneker's aunt gets diagnosed with cancer and this backsliding Christian (Banneker) turns to the one thing that he has always known, "Prayer." Banneker starts to feel that prayer is not enough and decides to take matters into his own hands. Follow Banneker in 'New Oakland' (2030) as he shows you what man would do to save someone he loves. Banneker is here to show you that it's not about how bad you are it's all about how good God is. God may not come when you call him but he is always on time.

“Tan” is a shortfilm written & directed by La Zung, inspired by the people and the events surrounding him. The story is about an unnamed relationship.

A disinherited daughter seeks to resolve her most private grief from the harsh abandonment by her father at his funeral.

A young mother, Mildred, doesn't know that her husband Walter is cheating on her. One night she attends a party with a friend of her husband's, and the man gets drunk and begins groping her when they get home. Her husband sees this and uses it as an excuse to sue his wife for divorce. In the ensuing trial he wins, due to fraudulent evidence, and gets custody of the child. Complications ensue.

Army vet Frank Mason has dementia and his son signs him up for a clinical trial of the military's latest drug for mental acuity in combat. But, no one can fathom the drug's side effect--turning people in to homicidal maniacs.

每一个瞬间都会引发下一个瞬间。因此，要理解某一个瞬间，就必须了解它的背景，因为万事皆有因，万事皆有果。《财富消逝》（Fortune Faded）通过一段穿越这些瞬间的旅程阐述了这一原则，讲述了一个命运交织的故事，最终以烈火与灰烬收场。

Hyowon, who dreams of becoming an actress, runs away to Seoul with Eunseo, a high school dropout. The two girls step into the sprawling city with their fragile hopes, clutching at its promises like lifelines. Their first home is a basement room, dim and shabby, the air thick and heavy, but to them, it is a sanctuary, a nest of possibilities. Eunseo begins working odd jobs to keep them afloat, while Hyowon, drawn by her dream, takes on menial tasks at a theater company. They are buoyed by their own visions of tomorrow, their dreams threading through the cracks in the worn walls. Soon, Hyowon starts taking acting lessons from Suyeon, a lead actress at the theater. Suyeon’s voice is steady, her words sharp: "Acting is the art of embodying another’s suffering." Hyowon listens, but the weight of those words eludes her. She cannot yet grasp the depths of Eunseo’s pain, nor can Eunseo fully see hers. The two drift, parallel yet apart, their lives entangled by need and longing but marred by unspoken distance. The city presses in, relentless. Their lives fracture under the strain of survival, yet questions linger in the spaces between them. What does it mean to carry someone else’s sorrow? What does it mean to live with your own? For them, life is an unanswered question, fragile as the surface of water, trembling under the weight of its own reflections.